Eme Ese is one of the pioneers of Latin American Street Art who appeared in popular neighborhoods and decided that Quito is his canvas, his gallery. He let the city be his expanded field.
From the beginning he knew that his goal was not to put his name here and there, but, rather, to invade the city and fill it with images without asking permission. He soon learned that the invasions have their cost and, despite his successive victories with the police, he fell.

He asked himself: what is the point of being a bomber? and what he found was not an answer, but people who did the same.
Along with Pin8, Ralex and Infame, he founded the collective Fenómenos, an indisputable reference to talk about South American Urban Art.

His cows (iconic characters of his work) appeared every time in more cities of the world and, what his friends thought was a teenager's whim, became his way of life.
 

He studied arts, continuing to paint and scratch, and soon few could say that they did not know about him or had not seen his work.
His most important works are in the street, but he also tours galleries worldwide.
He joined the tattoo scene announcing the project FUTURAMA “Nowadays people are only interested in tattooed art on the skin” and while that happens there are hundreds of people around as walking works.
Convinced that other ways of presenting and circulating art are possible, he adopted styles that were beginning to stand out worldwide.

His exhibitions happen within Toxic Burrows (parties that combine art, djs and%: & $ #;%!).
His ephemeral art, which primarily occurs in the street and at parties, is clear, as opposed to the white cube.

Inside were the works hung on impeccable walls, while outside the stages multiplied, nothing else had to be taken and that was the action that would mark an entire generation of artists.